一張椅子的照片。那是李傑曾下塌的一間旅館房間的椅子。
 
這椅子的影像，曾於他幾次展覽裡投影展出。
 
李傑展覽，常融合錄像、繪畫、文字、音樂、日常物件與天然光，構成限地製作的裝置空間，而巧妙地隱沒創作者本身的介入。他的作品埋藏著細膩而逼切的情感，但都給他揉捏成腦中溫柔的撫摸。
 
這些迷人的特質，正與這無名的椅子不謀而合。
 
本書讓讀者重訪，與這椅子初次、也是最後一次的相遇。
 
Photographs of a chair that Lee Kit once encountered in a hotel room.
 
The images of this chair have been shown in the video works in several exhibitions of the artist.
 
Lee Kit’s exhibitions often blend video installations, paintings, words, music, ordinary objects and natural light, into site-specific spaces that yet efface authorship. The emotions, at times exigent, are finely tempered into a mild caress in the mind.
 
These mesmerizing qualities are echoed in the anonymity of the chair in Chair.
 
The book invites the readers to revisit this first, and the last, encounter.